Current & Future Music
Theory Course Offerings
Undergraduate
Spring 2019
- T109 Rudiments of Music: online
- T132 Musical Skills I
- T152 Music Theory & Literature II (Mead)
- T231 Musical Skills II
- T232 Musical Skills III
- T252 Music Theory & Literature IV (Johnston)
- T331 Musical Skills IV
- T351 Music Theory & Literature V (Johnston)
- T351 Music Theory & Literature V (Maler)
- T410 Topics in Music Theory: Intersections: Music + Culture (Kielian-Gilbert)
Summer 2019
- T331 Musical Skills IV
- T351 Music Theory & Literature V (Horlacher)
- T351 Music Theory & Literature V (Johnston)
- T351 Music Theory & Literature V (Mead)
- T410 Topics in Music Theory: Advanced Techniques in Tonal Analysis (Ivanovitch)
Fall 2019
- T109 Rudiments of Music
- T109 Rudiments of Music: online
- T132 Musical Skills I
- T151 Music Theory & Literature I
- T231 Musical Skills II
- T232 Musical Skills III
- T251 Music Theory & Literature III (Samarotto)
- T261 Music Theory & Literature III Honors
- T331 Musical Skills IV
- T351 Music Theory & Literature V (Johnston)
- T351 Music Theory & Literature V (Mead)
- T361 Music Theory & Literature V Honors (Hook)
- T410 Topics in Music Theory: Mathmatical Approaches to Music (Hook)
- T410 Topics in Music Theory: Lieder and Lieder Cycles (Mead)
Spring 2020 (Tentative)
- T109 Rudiments of Music: online
- T132 Musical Skills I
- T152 Music Theory & Literature II (Mead)
- T231 Musical Skills II
- T232 Musical Skills III
- T252 Music Theory & Literature IV (Johnston)
- T331 Musical Skills IV
- T351 Music Theory & Literature V
- T410 Topics in Music Theory: Tempo and Dynamics (Johnston)
Graduate
Spring 2019
- T509 Sight-Singing Review for Graduate Students: first eight weeks
- T511 Aural Theory Review for Graduate Students: second eight weeks
- T545 Introductory Analysis of Music Literature (Maler)
- T550 Readings in Music Theory (Ivanovitch)
- T551 Analytical Techniques for Tonal Music (Ivanovitch)
- T555 Schenkerian Analysis (Samarotto)
- T556 Analysis of Music Since 1900 (Hook)
- T561 Music Theory, Variable Topics: Analyzing Configurable Music: Hip-Hop, Remixes, and Mashups (Adams)
- T565 Stylistic Counterpoint: 16th Century (Mutch)
- T658 Seminar: Musical Form and Performance (Kielian-Gilbert)
- T658 Seminar: Musical Spaces and Transformations (Hook)
Summer 2019
- T508 Written Theory Review for Graduate Students (Ivanovitch)
- T509 Sight-Singing Review for Graduate Students (Heilig)
- T511 Aural Theory Review for Graduate Students (Adams)
- T555 Schenkerian Analysis (Samarotto)
- T658 Special Topics in Schenkerian Analysis (Samarotto)
Fall 2019
- T508 Written Theory Review for Graduate Students
- T545 Introductory Analysis of Music Literature (Kielian-Gilbert)
- T551 Analytical Techniques for Tonal Music (Horlacher)
- T556 Analysis of Music Since 1900 (Kielian-Gilbert)
- T561 Music Theory, Variable Topics: Analysis and Value Judgement (Reece)
- T565 Stylistic Counterpoint: 18th Century (Samarotto)
- T591 Music Theory Pedagogy (Isaacson)
- T623 History of Music Theory I
- T658 Seminar: Aleatory Music (Johnston)
- T658 Seminar: Theories of Rhythm and Meter (Horlacher)
Spring 2020 (Tentative)
- T509 Sight-Singing Review for Graduate Students: first eight weeks
- T511 Aural Theory Review for Graduate Students: second eight weeks
- T545 Introductory Analysis of Music Literature (Hook)
- T550 Readings in Music Theory (Kielian-Gilbert)
- T551 Analytical Techniques for Tonal Music
- T555 Schenkerian Analysis (Samarotto)
- T556 Analysis of Music Since 1900 (Isaacson)
- T561 Music Theory, Variable Topics: Music, Drama, Affect, Memory (Kielian-Gilbert)
- T565 Stylistic Counterpoint: 16th Century
- T591 Music Theory Pedagogy (Hook)
- T624 History of Music Theory II (Samarotto)
- T658 Seminar: TBD (Reece)
- T658 Seminar: TBD