Jazz Piano Proficiency for Jazz Major Pianists
JAZZ KEYBOARD PROFICIENCY
for Undergraduate and Graduate Jazz Piano Majors
*Page examples are from: Stylistic II/V7/I Voicings for Keyboardists by Luke Gillespie (available from Professor Gillespie or Jazz Piano AI).
ii/V7/I Voicings:
Be able to play the following progressions: key circle (p. 18), half steps ascending/descending (p. 21), whole steps ascending/descending (p. 22). Practice different rhythms, focusing on placing the “dotted quarter/eighth note” rhythm on different beats of the measure, articulating long-short and short-long rhythmic patterns. Play all requirements at a minimum of quarter note = 120.
I. Voicings:
• Dropped note voicings (p.29 Ex.1a, 1c)
• Dropped note altered voicings (all of p.34)
• Rootless voicings for both hands (p.36 Ex.1a, b, or c; p.37 Ex.3a, b, or c)
• Rootless voicings for left hand (p.37 Ex.5, 6)
• Rootless altered voicings (p.38 Ex.7-10; p.39 Ex.14-17)
• Red Garland voicings (pp.40-41, all examples)
• Minor ii-V7-I voicings (p.44 Ex.3a, 3d; p.45 Ex.5a, 5c; p.49 Ex.13a, 14b, 14f; p.51 Ex.15a)
• Tritone substitutions (p.54 Ex.3b, 6)
• Tritone ii-V7 substitutions (p.58: D-7/G7/Ab-7/Db7/C in all keys, using root & rootless
voicings)
• Minor third substitutions (p.59: D-7/G7/F-7/Bb7/C in all keys, using root & rootless
voicings)
• “So What” voicings (p.65 Ex.1; p.66 Ex.6; p.67 Ex.16)
• Contrapuntal voicings (p.78 Ex.14; p.79 Ex.16a; p.82 Ex.23a; p.83 Ex.25a
• Bitonal voicings (p.94 Ex.1 in all keys)
• Latin comping pattern (handout)
• Blues voicings (all keys) (handout)
II. Repertoire:
play melody with left hand shell voicings and rootless voicings; comp with both
handed root and rootless voicings; improvise on changes
• Tune Up • Body and Soul
• Satin Doll (12 keys) • ‘Round Midnight
• Afternoon in Paris • Stablemates
• Half Nelson • Just Friends (12 keys)
• Groovin’ High • Confirmation
• Autumn Leaves (12 keys) • Donna Lee
• Blues for Alice • Well, You Needn’t (Monk and Miles)
• Maiden Voyage (using “So What” voicings) • Ask Me Now
• Blues changes, comping, soloing (12 keys)
III. 24 hour piece: You will be given a new piece to prepare (melody in RH, chords in LH, and two-handed comping) the day before your test. The tune must be memorized.