Mollie Ables: "Giovanni Legrenzi's Venetian Career and Musicians' Networks at Sacred Institutions, 1670-1690"
Dana Barron: "Continental Scribes and The Reception of Fifteenth-Century English Mass Music"
Daniel Bishop: "The New Hollywood Cinema and the Sound of the Past"
Carolyn Carrier-McClimon: "Romantic Memory in the Piano Music of Robert Schumann"
Katie Chapman: "Heresy, Politics, and the Transmission of Troubadour Song"
Elizabeth Grace Elmi: "Poetry and Song in Aragonese Naples: Written Traces of an Oral Practice"
Bethany Goldberg: "New York's Academy of Music (1854-1886), Elitism, and Classical Music in America"
Luiz Lopes: "The Evolution of Heitor Villa-Lobos's Music: Sources, Style, and Reception"
Devon Nelson: "The Antiquarian Creation of a Musical Past in Eighteenth-Century Britain"
Marysol Quevedo: “Negotiating Cubanness through Art Music: Composers in Socialist Cuba, 1959-1989”
Molly Ryan: "Music as Spiritual Recovery: Political Crisis and the Motet after the Sack of Rome"
Karen Stafford: "Dissemination and Collectorship of Nineteenth-Century Sheet Music Binders' Volumes, 1830-1865"
Laura Stokes: "Music and Cultural Politics during the Reign of Friedrich Wilhelm IV of Prussia,1840-1848"
Virginia Whealton: "Travel, Ideology, and the Geographical Imagination: Parisian Musical Travelogues, 1830-1870"