Alumni

Alumni Tracker

Our many successful alumni attest to the extraordinary environment we are proud to offer. The overwhelming majority of our graduates hold teaching and administrative positions in major research universities, liberal arts colleges, and schools of music. This page lists students who have completed the MM and PhD degrees in music theory at Indiana University, including dissertation titles for PhD recipients and last known location. The list is sorted by year the most recent degree was completed.

Alumni: please send updated information on yourself or others you know of to mustheor [at] indiana [dot] edu.

We also maintain a list of current graduate students.

For more information on dissertations, see Doctoral Dissertations in Musicology.

PhD Alumni

MM Alumni

PhD Alumni

Name	PhD Year	MM Year	Dissertation Title	Last known location
Christy Keele	2018	2008	Reconceptualizing Climax in the Scherzos of Frédéric Chopin
Jason Jedlicka	2018	2011	Interpreting Steve Reich's Later Music (2007–2012)	Indiana University East
Jessica Sommer	2018		Embodiment, Enaction, and Signification in Analyzing Opera	Grand Valley State University
Trina Thompson	2018		The Rhetoric of Suggestion in Debussy's Mélodies: A Contingent Poetics of Thematicity, Temporality, and Agency
Lucy Liu	2018		Musical Prose and Modular Discourse in Select Works by Brahms
Matthew Boyle	2018	2011	Musical Pleasure in Rossinian Opera	University of Alabama
Chelsey Hamm	2016		Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance in His Music	Christopher Newport University (Newport News, VA)
Paul Sherrill	2016		The Metastasian Da Capo Aria: Moral Philosophy, Characteristic Actions, and Dialogic Form	University of Utah
Michael McClimon	2015	2010	A Transformational Approach to Jazz Harmony	SMT webmaster; software developer, FastMail Pty Ltd
Diego Cubero	2014	2010	Brahms the Autumnal and the Romantic Aesthetic of Dissolution	University of North Texas
John Reef	2014		Perspectives on Phrase Rhythm in J. S. Bach's Keyboard Fugues	Nazareth College (Rochester, NY)
Stephen Grazzini	2014	2008	Reconstructing the Improvised Keyboard Prelude of the French Baroque
Andreas Metz	2014		Temporality, Pace, and Formal Structure in Selected Passages from Brahms's Adagio Genre	Sibelius Academy (Helsinki, Finland)
Garrett Michaelsen	2013	2008	Analyzing Musical Interaction in Jazz Improvisations of the 1960s	University of Massachusetts–Lowell
Timothy Chenette	2013	2007	Counterpoint, Transformations, and Musical Spaces in the Late Sixteenth Century	Utah State University
Sara Bakker	2013		Playing with Patterns: Isorhythmic Strategies in György Ligeti's Late Piano Works	Utah State University
Grace Yu	2012		A Semiotical Interpretation of Liszt's Piano Works in Light of Their Extramusical Sources	Hong Kong Academy for Performing Arts
Kyle Fyr	2011	2006	Proportion, Temporality, and Performance Issues in Piano Works of John Adams	Mahidol University (Thailand)
Justin Lavacek	2011		Polyphonic Meaning in the Motets of Machaut	University of North Texas
Mitch Ohriner	2011	2007	Modeling Music Performance: Projected Tension and Durational Contours in Recordings of the Music of Chopin	University of Denver (Lamont School of Music)
Danny Arthurs	2011	2005	Reconstructing Tonal Principlesin the Music of Brad Mehldau	University of Tulsa
Amy Engelsdorfer	2010		Pedagogical and Compositional Techniques in Treatises by Augustus Frederic Christof Kollmann and Johann Bernhard Logier	Luther College (Decorah, IA)
Tamara Balter	2009	2000	A Theory of Irony in Music: Types of Irony in the String Quartets of Haydn and Beethoven	Jerusalem, Israel
Brent Yorgason	2009	1999	Expressive Asynchrony and Meter: A Study of Dispersal, Downbeat Space, and Metric Drift	Brigham Young University
Michelle Clater	2009		Interposed Between God and Man: Agency in the Requiems of Berlioz and Fauré	Maranatha Baptist University (Watertown, WI)
Melissa Hoag	2008	2002	Multiply-Directed Moments in the Music of Brahms	Oakland University (MI)
Victoria Malawey	2007	2001	Temporal Process, Repetition, and Voice in Björk's Medúlla	Macalester College (St. Paul, MN)
Mike Baker	2007		Text-Music Relationships in the Solo Songs of Felix Mendelssohn	University of Kentucky
Erick Carballo	2006	1994	De la pampa al cielo: The Development of Tonality in the Compositional Language of Alberto Ginastera	Indiana University Teaching and Learning Technology Center
Stanley Kleppinger	2006	2000	Tonal Coherence in Copland's Music of the 1940s	University of Nebraska–Lincoln
David Thurmaier	2006		Time and Compositional Process in Charles Ives's Holidays Symphony	University of Missouri–Kansas City
Michael Oravitz	2005	1991	Metric Patterning and its Effects on Phrasing and Form in Selected Debussy Préludes	University of Northern Colorado
Elisabeth Honn Hoegberg	2005		From Theory to Practice: Composition and Analysis in Marin Mersenne's Harmonie universelle	University of Indianapolis
Timothy Shane Pack	2005		Axial-Tenor Composition in the Renaissance	University of Oregon
Bettina Hahn	2004	1993	Schoenberg and Bakhtin: Dialogic Discourse in the String Quartet, Op. 10, No. 2	Texas Performing Chinese Arts Association
Rusty Jones	2004		Key Classes and Textural Dissonance: An Instrument-specific Study of the Idioms, Textures, and Structures of Selected Early Romantic Music for the Guitar (1799-1850)	Butler University
Ryan McClelland	2004		Tonal Structure, Rhythm, Meter, and Motive in the Scherzo-Type Movements of Brahms's Chamber Music with Piano	University of Toronto (Associate Dean)
Mark Butler	2003		Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music	Northwestern University
Andrew Davis	2003		Structural Implications of Stylistic Plurality in Puccini's Turandot	Moores School of Music, University of Houston (Director)
Julian Hook	2002		Uniform Triadic Transformations	Indiana University
Lyn Thornblad Burkett	2001		Tensile Involvement: Counterpoint and Compositional Pedagogy in the Work of Seeger, Hindemith, and Krenek	Western Carolina University
Vincent Benitez	2001		Pitch Organization and Dramatic Design in Saint François d'Assise of Olivier Messiaen	Penn State University
Rebecca Jemian	2001		Rhythmic Organization in Works by Elliott Carter, George Crumb, and John Adams: Rhythmic Frameworks, Timepoints, Periodicity, and Alignment	University of Louisville
Ted Buehrer	2000		An Alternative Pedagogical Paradigm for Aural Skills: An Examination of Constructivist Learning Theory and Its Potential for Implementation into Aural Skills Curricula	Kenyon College (Gambier, OH)
Arthur Samplaski	2000	1996	A Comparison of Perceived Chord Similarity with Predictions of Selected Twentieth-Century Chord Classification Schemes, Using Multidimensional Scaling and Cluster Analysis	Ithaca, New York
Lori Wacker	2000	1991	Rhythmic and Motivic Procedures in Selected Late Works of S. C. Eckhardt-Gramatté	East Carolina University
Glenn Wegge	1999		Musical References in the Neoplatonic Philosophy of Plotinus	Waldorf College (Forest City, IA)
Don Hedges	1999	1986	Taking Notes: The History, Practice, and Innovation of Musical Diction in English and American Aural Skills Pedagogy	Trinity International University (Director)
John White	1999		Processes of Structuring in Selected Free Improvisations of the Chamber Ensemble "Oregon"	Ithaca College
Byron Almén	1998		Narrative Archetypes in Music: A Semiotic Approach	University of Texas
Teresa (Shelton) Reed	1997		Idiosyncrasies of Music Narrative: Hypotheses for Further Investigation	University of Tulsa (Associate Dean)
George Boyd	1996		The Scacchi/Siefert Controversy with Translations of Marco Scacchi, Cribrum musicum and Paul Siefert, Anticrabratio musica	Indiana University (Bureau of Evaluative Studies and Testing)
Jeff Gillespie	1996		Difficulty Factors in the Perception of Melody by Skilled Listeners	Butler University
Eric Lai	1995	1984	A Theory of Pitch Organization in the Early Music of Chou Wen-Chung	Baylor University
Ralph Lorenz	1995		Pedagogical Implications of Musica Practica in Sixteenth-century Wittenberg	Kent State University (Acting Director)
Lisa Derry	1993		The Pre-Classical Concerto of Johann Christian Bach: First Movement Design in the Eighteen "London" Keyboard Concertos	Albertson College
Scott Harris	1993	1987	Formal Archetypes, Phrase Rhythm, and Motivic Design in the String Quartets of Alexander Zemlinsky	Schwob School of Music, Columbus (GA) State University (Director)
Eric Isaacson	1992	1987	Similarity of Interval-class Content Between Pitch-class Sets: The IcVSIM Relation and Its Application	Indiana University (Director of Graduate Studies)
Rudy Marcozzi	1992		The Interaction of Large-scale Harmonic and Dramatic Structure in the Verdi Operas Adapted from Shakespeare	Roosevelt University (Associate Dean)
Stephen Moore	1992		The Writings of Emile Jaques-Dalcroze: Toward a Theory for the Performance of Musical Rhythm	California State University, Dominguez Hills
Ronald Rodman	1992		Thematic and tonal processes in the development-reprise forms of Claude Debussy, 1880-1905	Carleton College
Joe Brumbeloe	1991	1982	Formal Grouping in the Theory and Musical Practice of the Eighteenth Century	University of Southern Mississippi
Craig Cummings	1991	1985	Large-scale Coherence in Selected Nineteenth-century Piano Variations	Ithaca College (Department Chair)
Sarah Schaffer	1991		Analytical Issues in the Segmentation of Atonal Music: An Investigation Based on Selected Pre-Serial Works of Schoenberg, Berg, and Webern	Token Creek Chamber Music Festival (Managing Director)
Miguel Roig-Francoli	1990		Compositional Theory and Practice in Mid-Sixteenth-Century Spanish Instrumental Music: The Arte de tañer fantasía by Tomás de Santa María and the Music of Antonio de Cabezón	University of Cincinnati
Ilene Sears	1990	1971	The Influence of Rhythm in Selected Chamber Works of Igor Stravinsky	Winston-Salem, NC
Todd Tucker	1988	1971	Hindemith's Harmonic Procedure from 1935-1940	Illinois Wesleyan University
Timothy Lindeman	1987	1978	Strategies of Sonata Form in the First Movements of the Beethoven String Quartets	Guilford College (Chair, Music)
John Schaffer	1987		Developing an Intelligent Music Tutorial: An Investigation of Expert Systems and Their Potential for Microcomputer-based Instruction in Music Theory	University of Wisconsin
Susan Tepping	1987		Fugue Process and Tonal Structure in the String Quartets of Haydn, Mozart, and Beethoven	Georgia State University; deceased 2016
James Hiatt	1986	1969	Structure and Style in the Late Instrumental Works of Carl Nielsen	James Madison University (retired)
Jon Conrad	1985	1969	Style and Structure in Songs by George Gershwin: Published 1924-1938	University of Delaware
James Skoog	1985		Set Syntax in Béla Bartók's Mikrokosmos	Bowling Green State University?
Alan Todd Jordan	1984		Harmonic Style in Selected Sibelius Symphonies	Senior Consultant, Keane, Inc.; Organist & Assistant Music Director, Our Lady of Mt Carmel Catholic Church (Carmel, IN)
John Maxwell	1984		An Artificial Intelligence Approach to Computer-Implemented Analysis of Harmony in Tonal Music	SAS Institute (Software Manager; North Carolina)
William Pflugradt	1984		Elliott Carter and the Variation Process	deceased
Garry Brodhead	1983	1972	Structural Time in Twentieth-century Tonal Music	Ithaca College (Associate Provost) (retired)
Ann Gebuhr	1983	1968	Structuralism in Music: A Review of Recent Ideas	Houston Baptist University (Director)
John Ibberson	1983	1965	A History of Keyboard Theory	Indiana State University (retired)
Kate Covington	1982	1969	A Study of Textural Stratification in Twentieth-century Compositions	University of Kentucky
Robert Hatten	1982	1975	The Concept of Style Systems in Music Theory: A Model for Interpreting Style Change	University of Texas at Austin
John Snyder	1982		The De legitimis ordinibus pentachordorum et tetrachordorum of Theinred of Dover	University of Houston
J. Kent Williams	1982	1965	Themes Composed by Jazz Musicians of the Bebop Era: A Study of Harmony, Rhythm, and Melody	UNC Greensboro
George Winfield	1981		Ferruccio Busoni's Compositional Art: A Study of Selected Works for Piano Solo Composed Between 1907 and 1923	Howard University (Chair)
James Bersano	1979		Formalized Aspect Analysis of Sound Texture Applied to Selected Works of the 1960's
Eugene Reade	1979		A Study of Rhythm in the Serial Works of Igor Stravinsky
Charles Lord	1978	1971	An Explication of Some Recent Mathematical Approaches to Music Analysis	University of Kentucky (retired)
Gwyneth Roberts	1978		Procedures for Analysis of Sound Masses	Lowellville, Ohio
Bruce Thompson	1978	1961	Musical Style and Compositional Techniques in Selected Works of T. J. Anderson	Winthrop University
Michael Burdick	1977		A Structural Analysis of Melodic Scale-Degree Tendencies in Selected Themes of Haydn, Mozart, Schubert, and Chopin	Chino Valley, Arizona
Margery Enix	1977	1961	The Dissolution of the Functional Harmonic Tonal System: 1850-1910	Chapman University
David Kaplan	1977		Stylistic Trends in the Small Woodwind Ensemble from 1750-1825	University of Saskatchewan
Richard Domek	1976	1967	A Syntactic Approach to the Study of Rhythm Applied to the Late Piano Works of Johannes Brahms	University of Kentucky
Roger Briscoe	1975		Rameau's Démonstration du principe de l'harmonie and Nouvelles réflexions de M. Rameau sur sa Démonstration du principe de l'harmonie: An Annotated Translation and Commentary of Two Treatises by Jean-Philippe Rameau	Raritan Valley Community College (NJ)
William Edwards	1975		The Variation Process in the Music of Stravinsky	Broward Community College
Christopher Gallaher	1975	1965	Density in Twentieth-Century Music	Morehead State University (chair; retired)
Dorothy Gross	1975		A Set of Computer Programs to Aid in Music Analysis	University of Minnesota?
Glenn Chandler	1974		Rameau's Nouveau système de musique théorique: An Annotated Translation	University of Texas at Austin
Sister Jule Adele Espey	1974		Formal, Tonal, and Thematic Structure of the Hindemith String Quartets	Our Lady of the Lake University
William McCandless	1974		Cantus Firmus Techniques in Selected Instrumental Compositions, 1910-1960	Central Missouri State University (chair; retired)
G. Larry Whatley	1974		Donald Francis Tovey and His Contributions to the Study of Harmony and Counterpoint	Brevard College (retired)
Robert Demaree	1973		The Structural Proportions of the Haydn Quartets	Indiana University--South Bend (Dean; retired)
Arthur Ostrander	1973	1969	Style in the Orchestral Works of Karl-Birger Blomdahl	Ithaca College (Dean, retired)
John Stewart	1973		Metrical and Tonal Stability in the Dance Music of the Fitzwilliam Virginal Book	Ohio University (retired)
Mary Arlin	1972	1965	Esquisse de l'histoire de l'harmonie, considérée comme art et comme science systématique of François-Joseph Fétis: An Annotated Translation	Ithaca College (retired)
Sister Laurette Bellemy	1972		The Sonido Trece Theoretical Works of Julián Carrillo: A Translation with Commentary	Saint Mary-of-the-Woods College (Music area coordinator)
Asher Zlotnik	1972		Orchestration Revisions in the Symphonies of Robert Schumann	Deceased
Norman Hessert	1971		The Use of Information Theory in Musical Theory	St. Lawrence University
Jean Little	1971		Architectonic Levels of Rhythmic Organization in Selected Twentieth-Century Music	Monrovia, California
Kenneth Mays	1971	1961	Harmonic Style in the Madrigals of Claudio Monteverdi	The Master's College
Gary Potter	1971	1969	The Role of Chance in Contemporary Music	Indiana University (Director of Undergraduate Studies)
Harriet Chase	1970		German, Italian, and Dutch Fugal Precursors of the Fugues in the Well-Tempered Clavier I, 1600-1722	Westminster Choir College (retired)
Robert Hurwitz	1970	1965	An Investigation into the Perception of Root in Harmonic Intervals	University of Oregon (Associate Dean for Graduate Studies; retired)
William Mickelsen	1970		Hugo Riemann's History of Harmonic Theory with a Translation of Harmonielehre	St. George, Utah
James Marks	1969		Harmonic Rhythm as a Factor in Form Delineation in Selected Instrumental Works from 1775 to 1850	Sam Houston State University (retired)
Francis McGinnis	1969		Chopin: Aspects of Melodic Style
Raymond Stahura	1969	1961	A Stylistic Study of the Works of John Dunstable	Ripon College (retired)
George B. Biggs	1968		The Return Effect in Works for Orchestra by Stravinsky, Bartók, and Schoenberg, as Determined by Factors other than Theme and Key	Fort Worth, Texas
Charles Nick	1967		A Stylistic Analysis of the Music of Nicola Vincentino
Louis Pisciotta	1967		Texture in the Choral Works of Selected Contemporary American Composers	Manhasset, New York
Donald Schwejda	1967		An Investigation of the Analytical Technique Used by Rudolph Reti in The Thematic Process in Music	Pacific University
Leon Smith	1967		An Investigation of the Inherent Qualities of Musical Intervals as Definers of Melodic Tonality	Round Rock, Texas
Mary Wennerstrom	1967		Parametric Analysis of Contemporary Musical Form	Indiana University (Associate Dean for Instruction, retired)
Carl Haenselman	1966		Harmonic Rhythm in Selected Works of the Latter Half of the Nineteenth Century
Eugene Sterling	1966		A Study of the Chromatic Elements in Selected Piano Works of Beethoven, Schubert, Schumann, Chopin, and Brahms	San Jose, California
Albert Hanna	1965		A Statistical Analysis of Some Style Elements in the Solo Piano Sonatas of Franz Schubert
Harold Lewin	1965		Aspects of the Twelve-Tone System: Its Formation and Structural Implications
George Sargent	1965		An Edition of Elizabeth Rogers' Virginal Book (British Museum Add. Ms. 10337)
Richard Tappa	1965		An Analytical Study of the Use of Imitative Devices in the Keyboard Ricercar from 1520 to 1720
Glen Gould	1964		A Stylistic Analysis of Selected Twelve-Tone Works by Luigi Dallapiccola	Pennsylvania
James Krehbiel	1964		Harmonic Principles of Jean-Philippe Rameau and His Contemporaries	Eastern Illinois University (retired)
Maurice Laney	1964		Thematic Material and Developmental Techniques in Selected Contemporary Compositions
Harry Ray	1964		An Experimental Approach to the Reading of Pitch Notation
Janet Tupper	1964		Stylistic Analysis of Selected Works by Frank Martin	Denver, Colorado
Sanford Watts	1964		The Stylistic Features of the Bolognese Concerto	Indiana State University (deceased 2009)
James Burke	1963		A Study of Theories of Non-Chord Tones Pertaining to the Music of the Period ca. 1650 to ca. 1875	Acadiana Symphony Orchestra
Mary Fiore	1963		The Formation and Structural Use of Vertical Constructs in Selected Serial Compositions	Buffalo State College (deceased 2014)
William Jones	1963		The Music of Ernest Bloch
John Mitchell	1963		A History of Theories of Functional Harmonic Progression
Glen Morgan	1963		Stylistic Features of the Music of Guillaume de Machaut
Edward Murphy	1963		Harmony and Tonality in the Large Orchestral Works of Richard Strauss	University of Arizona
Louis Richardson	1963		The Effect of Certain Harmonic Considerations upon Tuning Preferences for the Major Third	Fredonia, New York
John Egan	1962		Marin Mersenne: Traité de l'harmonie universelle: Critical Translation of the Second Book	St. Joseph's University?
Charles Knox	1962		The Orchestral Violin Tone	Georgia State University (retired)
John Nagosky	1962		Timbre Thresholds of Sinusoidal Mixtures	Indiana University (retired)
C. Allen Winold	1962		The Effects of Changes in Harmonic Tension upon Listener Response	Indiana University (retired)
Molly Gustin	1961		A Theory of Tonality	Thomas Aquinas College
Raymond Haggh	1961		Hugo Riemann's Geschichte der Musiktheorie im IX-XIX. Jahrhundert, Books I and II: A Translation with Commentary and Annotated Bibliography	University of Nebraska-Lincoln (retired)
Hans-Jörgen Holman	1961		The responsoria prolixa of the Codex Worcester F 160
Frederick Homan	1961		Cadence in Gregorian Chant
Vernon Kliewer	1961		The Concept of Organic Unity in Music Criticism and Analysis	Indiana University (retired)
Joel Mandelbaum	1961		Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament	CUNY-Queens College
Judson Maynard	1961		An Anonymous Scottish Treatise on Music from the Sixteenth Century: British Museum, Add. MS 4911, Edition and Commentary	Denton, Texas
W. Thomas Atcherson	1960		Modal Theory of Sixteenth-Century German Theorists	University of Iowa (deceased)
Donald Morrison	1960		Influences of Impressionist Tonality on Selected Works of Delius, Griffes, Falla, and Respighi: Based on the Concept Developed by Robert Mueller	Sarasota, Florida
Charles Smith	1960		Leonhard Euler's Tentamen novae theoriae musicae: A Translation and Commentary	Dover, Delaware
Tom Ritchie	1960		A Study of the Effects of Diatonic Harmony upon the Aural Perception of Selected Melodic Fragments	Truman State University
Joseph Youngblood	1960		Music and Language: Some Related Analytical Techniques	University of Miami (retired)
Ronald Jesson	1958		The Third Relation in the Late Eighteenth and Early Nineteenth Centuries
Dale Jorgenson	1957		A History of Theories of the Minor Triad
Parviz Mahmoud	1957		A Theory of Persian Music and Its Relation to Western Practice
William Abbott	1956		Certain Aspects of the Sonata-Allegro Form in Piano Sonatas of the Eighteenth and Nineteenth Centuries
David Appleby	1956		A Study of Selected Compositions by Contemporary Brazilian Composers	Eastern Illinois University
Wayne Wise	1956		Tonal Relationship through Interchangeability of Mode in the Music of the Eighteenth and Nineteenth Centuries
Quentin Nordgren	1955		Texture: A Consideration of Spacing, Doubling, Range, and Instrumentation, Based upon Selected Orchestral Works of Certain Nineteenth-Century Composers
Wilbur Lee Ogdon	1955		Series and Structure: An Investigation into the Purpose of the Twelve-Note Row in Selected Works of Schoenberg, Webern, Krenek, and Leibowitz	UC San Diego
Helen Rogers	1955		The Development of the Concept of Modulation in Theory from the Sixteenth to the Early Eighteenth Century
Mark Walker	1955		Thematic, Formal, and Tonal Structure of the Bartók String Quartets
Robert Lamm	1954		The Evolution of the Secondary Dominant Concept
George List	1954		An Analysis of the Relationship of Non-Stepwise Melodic Movement to Tonality in Selected Works of W. A. Mozart	Indiana University (ethnomusicology; retired)
Robert Mueller	1954		The Concept of Tonality in Impressionist Music: Based on the Works of Debussy and Ravel	Southern Illinois University (retired)
Ernest Trumble	1954		Early Renaissance Harmony	Norman, Oklahoma
Grace Yerbury	1953		Styles and Schools of the Art Song in America, 1720-1850
William Thomson	1952		A Clarification of the Tonality Concept	University of Southern California (Dean) (retired)
Arthur Darack	1951		Aesthetics of Music: Early Greek Views	Critic, author (deceased 2007)

MM/MA Alumni

MM/MA alumni who completed a PhD in music theory at Indiana University appear in the list of PhD alumni above. Other MM/MA alumni are listed below. (The current master's degree is the MM. The MA degree was awarded until 2005.)

Chelsea Brinda	2018
Tyler Erickson	2018	PhD student at IU
Stephen Gomez-Peck	2018	PhD student at CUNY
Madeleine Howey	2018	PhD student at IU
Emily Lamb	2018	PhD student at IU
Stephen McFall	2018	PhD student at IU
Emily Barbosa	2017	PhD student at IU
Gabrielle Gaudreault	2017	DMus student (choral conducting) at McGill
Rogério Shieh Barbosa	2017	PhD student at Columbia
Lauren Wilson	2017	PhD student at Eastman
Clifton Boyd	2016	PhD student at Yale
John Heilig	2016	PhD student at IU
Katelyn Kozinski	2016
Jinny Park	2016	PhD student at IU
Knar Abrahamyan	2015	PhD student at Yale
Matthew Bilik	2015
Ethan Edl	2015	PhD student at Yale
Stephen Komer	2015	PhD student at IU
Nathaniel Mitchell	2015	PhD student at Princeton
Zachary Zinser	2015	PhD student at IU
Alyssa Barna	2014	PhD student at Eastman
John Kluge	2014
Nikolas Bauchat	2013	PhD candidate at IU
Calvin Peck	2013	PhD candidate at IU
Bruno Alcalde	2012	PhD student at Northwestern
Nathan Blustein	2012	PhD candidate at IU
Paul Child	2012
Colin DeJong	2012
Joseph Noëlliste	2012
Simon Prosser	2012	PhD student at CUNY
Stanley Fink	2011	PhD student at Florida State
Alvin Yu	2011
Nicole DiPaolo	2010	PhD candidate at IU
Ruthie Chase (Umthun)	2010	PhD candidate at IU
Aisha Ahmad-Post	2009
Mark Chilla	2009	WFIU radio
Emily Mattson	2009
Abigail Shupe	2009	PhD, Western University (Ontario); teaching at Colorado State University
Andrew Wilson	2009	PhD candidate at CUNY, teaching at Oberlin
Sarah Climis (Wangberg)	2008
Jonathan Guez	2008	PhD, Yale; teaching at College of Wooster
Matthew Hoffman	2007
Lara Langeneckert	2007
William Guerin	2006	PhD candidate at IU
Jordi Torrent	2006	Pianist, based in Spain
Jason Hooper	2005	Earned PhD at CUNY; teaching at University of Massachusetts–Amherst
Jamshed Turel	2005	PhD student at McGill
Sheila Cullen	2004
Michael DeMarco	2004
Erin Toelcke	2004
Loren Serfass	2003
Megan Schindele	2002
Matthew Boyer	2001
Meryl Krieger	2001	Earned PhD in ethnomusicology at IU
Pei Ling Lee	2001
Claudia Millicent	2001	Band director in Laguna Salada Union School District
T Kareem Powell	2001	Dayton, Ohio
Min Jung Koh	2000
Paul Robbins	2000
Christopher Stafford	2000	Founder, Stafford Music Academy, Bloomington
Molly Speicher	1999
Monica Steger	1998
Gwynne Kuhner (Brown)	1997	Earned PhD in musicology, University of Washington; faculty at University of Puget Sound
Kimberly Carballo	1997	IU Opera Coach
Erik Gustafson	1997
Kevin Medows	1997	M.L.S. from the University of Illinois; Music Technical Services Librarian, Northwestern University
Shelly Annette Redfield Jurcevic	1997	Teaches music theory at Armstrong Community Music School and maintains a private studio teaching voice, piano, flute, and recorder; adjunct faculty in music department at St. Edward's University
Thomas Townsend	1997
Jonathan Brooks	1996	Earned PhD from the University of North Texas. Faculty at Anderson University (Indiana)
Jessica Corbin	1996	Faculty at Brooklyn Conservatory of Music and director of the Bella Voce Singers
Larry Tomlin	1996	Works for Citrix
Michele Addino-Colchin	1995	Liturgical music director, University of St. Francis (Fort Wayne, IN) campus ministry
Michael Lister	1995
Leonard Sanders	1995
Kristina Zuelicke (Campbell)	1995	believed living in New Zealand
David Ernst	1994	Executive Director, HoosierNet (Bloomington)
Elizabeth Bortka	1993
James Halliday	1993	Programmer for IU's Digital Library Program
Celia Hurwitz	1993	Earned PhD in music theory from Columbia in 2002 ("Tonality and form in the first movements of Britten's String Quartets Opp. 25 and 36")
Donna Johnston-Martel	1993	Piano teacher, Regina, Sask.
David Williams	1993	MM in conducting from CCM; Lecturer in Aural Studies, Vanderbilt University
Anita Albert	1992	Private piano teacher, Toronto
Patrick Budelier	1992
James Gregory	1992
Alisa Smallwood	1992	Director of Development for the Robert Ferst Center for the Arts at Georgia Tech
Kip Montgomery	1991	PhD, Music History, SUNY Stony Brook, 2002 ("Cyclic Form in the Music of Brahms"); Associate Professor and Chair of Music Department at Queensborough Community College of the City University of new York
Ma Lourdes Diaz	1990
Richard Littlefield	1990	PhD from University of Helsinki? Taught at Central Michigan University.
Clair Melton	1990	Austin, Texas
Judith Bixler	1989	Adjunct instructor of Violin and String Pedagogy, Hillsdale College
Carolyn MacGregor (Saunders)	1989	Living in Seattle
Wayne Huck	1988	Works for UITS, IU Office of the Registrar
Yuk-Yue Rebecca Chan	1987
Shereen Su-Wen Ivey	1987
Elizabeth DeSouza	1986
John Bullard	1984
Janet McQuarrie	1984
Gil-Ju Ri	1984
Scott Schafer	1984
Larry Babb	1983
Luanne Fose	1983	PhD in music theory from University of North Texas; Instructional Designer/Information Technology Consultant for Information Technology Services, California Polytechnic State Univeristy
Janice Hunton	1983	Faculty, Perpich Center for Arts Education (Golden Valley, Minn.)
David Newby	1983	Earned MM and DM in Instrumental Conducting (IU), faculty at Antelope Valley College
Betsy Peregoy	1983
Norin Saxe	1983
David Bradshaw	1982	PhD in Music Psychology from the University of Washington in Seattle; Assistant Research Professor, Dept. of Anesthesiology, University of Utah Pain Research Center
Rose Chisholm	1982
Stephen Dombek	1982
Jack Greenhouse	1982
Daniel Kramlich	1982
Marcus St. Julien	1982
Robert Weeks	1982
Joseph Kraus	1981	Earned PhD at Eastman School of Music; faculty at Florida State University
Sharon Boylan	1980
Robert Knight	1980
Ray Liddle	1980
Michele Murray	1980
Carl Parnella	1980
Susan Rossinelli-McLean	1980
Christy Dana	1979	DM in Brass Pedagogy (IU), faculty at UC–Berkeley, professional jazz trumpeter and band leader
Roger Knox	1979
Charles Ogoe	1979
Christine Paputsas	1979
Ron Levy	1978
James McMillan	1978
Rita Olsen	1978
Catherine Overhauser	1978
Roy Whelden	1978
Rosalee Nerheim	1976
Allen Regueiro	1976
William Skinner	1976
Neil Tatman	1976
Susan Bakshi	1975
Elmer Kudo	1975
William Lake	1975	Earned PhD at University of Michigan; faculty at Bowling Green State University
Charles Manning	1975
John Warner	1975
Kuija Yune	1975
Mary Anne Rees	1974
Dianne Vars	1974
Peter Lengyel	1973
Suzanne Loucky	1973
William McGee	1973
Charles Stokes	1973
Genevieve Crane	1972
Dan Lind	1972
Thomas Biebl	1971
Paul Cox	1971
John Fisher	1971
John Hyslop	1971
Keith King	1971
Patricia Prause	1971
Merelyn Davis	1970
Carol Edison	1970
Karen Gifford	1970
Richard Mueller	1970
Margaret Turney	1970
John Arnn	1969
Douglas Besemer	1969
Susan Engle	1969
Lee Garrett	1969
Willis Hackman	1969
Margaret Hawn	1969
Rosemary Hogsett	1969
Elizabeth Morris	1969
Michael Mosley	1969
Esther Olin	1969
Gwyneth Rollin	1969
Louis Pape	1968
Marjorie Porterfield	1968	Faculty at Ithaca College (retired)
John Riley	1968
Ronald Ross	1968
Robert Brewer	1967
Kathryn Hoppe	1967
James Martin	1967
James Stewart	1967
Anthony Thein	1967
Steven Zvengrowski	1967
Rita Czarnecki	1966
Rudyard McGary	1966
Jay Williams	1966
Arlene Woehl	1966
William Hazelbauer	1965
Charles Lee Humphries	1965
William Milner	1965
David H. Watkins	1965	MM Thesis: The Use of Polytonality in Selected Works of Aaron Copland. DM in Music Literature and the Pedagogy of Brass Instruments (IU, 1985, "Teaching Baroque Style Characteristics Through Solo Literature for the Horn"). Retired faculty member, Indiana State University 1965-1997
Mary Friedmann	1963
Curtis Wolfe	1963
Lon Doudna	1962
Allan Green	1962
Virginia Green	1962
Barbara Inzana	1961
Marius Broekheuzen	1960
Duncan Courvoisier	1957

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